But ultimately, that feels like the film getting bogged down in a semantic distinction rather than really exploring intention in any meaningful way. For Nolan's Insomnia, intent is everything, and it makes for a crucial distinction between a killing and a murder. ![]() These are the similar beats of the original movie, although Nolan's version adds the extra layer of the IA investigation, which feels like a way to hold the audience's hand through the question of "Why wouldn't Will just admit it was an accident?" But where Nolan's version falters is because it's obsessed with motivation. During this time, in a place where it's always daylight, Will suffers from insomnia. The twist is that the killer, Walter Finch ( Robin Williams), saw the whole thing, so while Will is busy covering up the accidental shooting (which may have looked intentional because Hap was going to talk to internal affairs) and fending off eager detective Ellie Burr ( Hilary Swank), he also has an awkward relationship with the soft-spoken Finch. When he arrives in Nightmute, it seems like they've got a fairly direct line to catching their killer, but a bungled sting operation leads to the killer escaping and Will accidentally shooting and killing Hap during the pursuit. ![]() For Will, this assignment isn't because he's a famous detective who has solved some notable cases, but rather because he and Hap are being investigated by internal affairs, and the powers-that-be want to get Will away from the spotlight. The plot has Al Pacino playing LAPD detective Will Dormer, who, along with his partner Hap Eckhart ( Martin Donovan), is basically exiled to a small remote Alaskan fishing village of Nightmute to investigate the murder of a teenage girl.
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